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Visualizing The Photo – An Outdoor Wedding Portrait

Mount Hood Oregon Wedding Photography

I am glad to be known more for my landscape photography than I am for any other photography style or genre that I dabble in, although I certainly do not limit myself strictly to landscapes, it’s what drew me back to photography in the beginning. This brings clients to me who want a unique heirloom portrait of themselves in the outdoors. As a landscape photographer I have many locations in the back of my mind that would work for the photos that my clients expect from me.

This photo is an example of one such session. The clients wanted a photo of themselves with Mount Hood behind them. We were fortunate to have a window of time when the skies would be clear, and a view of the mountain could be had. I chose White River Snow Park on the east side of Mount Hood. The park is busy, but we did well, and I can always take out the errant person in the distance with a clone brush tool in Photoshop during post processing. We walked up to an area with some trees which gave the photo the feel of being at the edge of a wilderness forest with the incredible mountain in the distance. The scene gave a sense of solitude to the feel of the photos even though there were people all around us.

I took a series of photos varying my focal length from 24 millimeter to 35 millimeter according to the composition that I was trying to achieve. They all turned out fine, but I had a vision in my head of a photo with the couple in the foreground with Mount Hood looming large in the background. An effect that I could not achieve with a wide-angle lens. I had this idea before we arrived and as we drove into the parking area, I surveyed the location to find a place to get the shot. I knew this location very well and so I drove right to where I knew that I would have the best luck in creating the photo. We did not have to walk far, fortunately, as the couple were surrounded by snow and dressed in their wedding clothes.

Once we had finished the photos, and were about to return to our cars, I asked my clients to stay behind with my assistant while I returned to my car to change lenses and take a photo of them from there. They were up on a ridge of snow above where I had parked with Mount Hood positioned perfectly behind them. As I stood in the distance, I mounted my 200 mm lens to my Nikon D850 and then zoomed in to 160 mm to compose the frame. I then stopped the aperture down to f/14 for a clear depth of field. Once my assistant had posed the couple, I took the shot. I had used a method of enlarging the mountain, in this case five miles distant, to fill the frame to give the illusion that the subject is much closer to the background than they were. I and my clients were pleased with the outcome.

Understanding your location and the capability of your gear makes it easier to visualize a photo prior to arriving at the location. And visualizing your photoshoot prior to the day of the event will allow you to be more prepared and to be more relaxed once you go to work. In addition, knowing the capabilities of your equipment will allow you to understand basic concepts or methods such as lens compression to create more compelling photographs.

Comet NEOWISE at Mount Hood Oregon

Comet NEOWISE at Mount Hood Oregon

Here’s my contribution to the wave of photos that photographers have been getting of this miraculous celestial event. This comet wasn’t even discovered until March of this year, 2020. Whenever there’s an event such as this, which involves the night sky, you will find leagues of photographers armed with their cameras and tripod searching for the best spot to sit and enjoy the view while they create their own version of NEOWISE.

For this photo I decided to go to White River on the east side of Mount Hood to do my best to get a shot of the comet with Mount Hood in the frame. I am satisfied with my attempt. I’m glad that I was able to get a photo that included a place. A foreground that could give the photo more interest and a feeling of being there.

It was quite dark and the snow cats on Mount Hood were shining their lights as they groomed the ski slopes. Photographing the mountain from this direction will most certainly include the lights from Timberline Lodge. I just roll with it.

To create this photograph I took two shots, one being a super long exposure at a lower ISO to reveal details in the foreground, and then a shorter exposure at a higher ISO to capture the sky without any streaking of the stars or the comet. I then stacked and blended the two using layers and masks in Photoshop.

Settings:
Photo #1 Foreground: 180 sec (3 min) exposure – f/4.2 1600 ISO
Photo #2 Sky: 20 Sec exposure – f/4.2 – 6400 ISO

Prints of this photo are available at this link: https://www.gary-randall.com/product/comet-neowise-at-mount-hood-oregon/

Gary Randall Limited Edition Oregon Landscape Photography Posters

I’m really proud to announce my new Limited Edition Oregon Landscape Photography Posters This is a beautiful set of limited edition posters of some of my favorite Oregon photographs. All are printed in full color on 100# Gloss paper. These are suitable for framing. The posters are the first in a series of future editions. This edition is Series 1 – Limited to 100 copies each design.

By purchasing the complete set you save 20%.
The set includes all of the following posters.

  1. Boulder Creek, Mt Hood National Forest, Oregon
  2. The Columbia River Gorge, Oregon
  3. Oneonta Gorge, Columbia River Gorge, Oregon
  4. Rhododendrons at Mount Hood Oregon
  5. The Sandy River Oregon

This Scenic Oregon Limited Edition Poster Series will sell out quickly so act now. 

CLICK HERE TO ORDER YOURS
 

The Milky Way Over Mount Hood

The Milky way over Mount Hood

The Milky way over Mount Hood Oregon.

There once was a time when I would stay up for several nights in a row and had no stories worth telling. These days I stay up for one night and have a wonderful story that I could tell.

I could tell about enjoying this warm, calm dark Summer night with a sky full of stars and a snow capped mountain so close it seems as if you can reach out to touch it, with the Milky way above it like a feathery plume from a hat, and then coming home with a photograph that needs no description.

I have so many wonderful stories that I could tell, and so many photos that need no words.

Click Here – https://gary-randall.com/product/mount-hood-milky-way-night/

Your The Camera’s Aperture Affects your Focus

Single Exposure using my focus technique

We’re focusing on focusing this month. How do I focus my photos is one of the most asked questions of me by other photographers. It’s a great question, and one that one would think would be pretty basic and simple. It’s usually the last skill that a beginning photographer considers when starting out but seems to be the toughest to master. I mean it seems that it would be pretty basic, what with the sophistication of the Auto Focus features in modern digital cameras, but once one takes a few photos and is let down by the Auto Focus Mode it’s easy to see why in many cases, especially landscape and portraiture, you will want to manually focus your photo.

There are several things that will affect the focus or clarity of our photos including a completely out of focus image, one where the focus is so far off that nothing is clear or in focus. That issue is obvious, of course, so we won’t discuss this in depth. We will assume that we are focusing but want to refine the clarity and focus of the shot. I’m going to try to proceed without citing mathematics or terms and theories such as Hyperfocal Distance, Circle of Confusion etc. The purpose of this article is to just understand the basics enough to understand how to overcome a common problem with focusing. Trust that this could become so lengthy that it would require another ten pages of the Mountain Times to cover it. Sometimes when someone is learning something new more information beyond what it takes to understand the concept causes confusion and discouragement. Once the basics are learned the understanding can be broadened in the future. I always tell people that if it requires mathematics to take photos I’d be a C-Minus photographer.

First let’s consider blurring caused by the camera moving or objects in the scene moving. This is not a focus issue but it can affect the clarity and areas of focus in the photo as you affect it. If movement is causing problems then your shutter speed is too slow. You’ll need to make sure that your shutter speed is sufficiently fast to freeze the movement. There are times where a slow shutter blur effect is desirable such as in creeks or waterfalls. This typically requires one to make an aperture adjustment to vary the shutter speed. Opened more to make it quicker and closed more to make it slower, but the depth of field will change with each aperture change.

So what’s this depth of field of which you speak you ask? The depth of field is how deep the area that will be in focus is from front to back. The wider your aperture the shallower or narrower your depth of field will be and then when you stop down, or close the aperture down, the depth of field becomes deeper. Remember that the larger the aperture opening the smaller the f/stop number and the smaller the aperture opening is the larger the f/stop number. Something to consider when you’re trying to maximize your focus is that the closer you are to the subject or foreground narrower your depth of field will be as well. If you’re having trouble getting everything in the scene within acceptable focus stand back a little. The same with portraiture. If you’re shooting with a wide aperture to blur the background intentionally you may have trouble getting the person’s whole face in focus. There’s not a lot worse in portrait photography than having the eyes in focus but the nose out of focus or vice-versa. Either stop down (close down the aperture) or stand back a little further or both. This works best with a zoom lens so you can recompose as you move away.

Hyperfocal Distance – I know. I said that I was going to try not to mention this but I think that curiosity will eventually lead a photographer to wonder. Simply and basically, the hyperfocal distance is the point where you will focus to allow everything from the foreground to the background to be in “acceptable focus”.

There’s a mystical mathematical formula to determine what that the hyperfocal distance is, but if you remember this advice you will get by like I have been for a long time without taking a calculator into the field with me. Here goes – I remember that I want to be in my lens’s sweet spot, which is the upper and lower limit of the aperture’s clearest settings. Each lens is different but the average lens is approximately f/8 to f/14. Compose your shot but try not to get too close to the foreground unless you don’t mind the background to be soft – Remember the closer to your foreground the less likely the object in the background will be in focus – And then focus to infinity on your lens focus ring and then focus back until the foreground just comes into focus. Then you will usually have the depth of field maximised and pushed out as far as possible while still maintaining a focused foreground. It’s easy to understand once you try it.

That may have been a long road to a short conclusion but just a basic understanding of how your aperture and depth of field affects focus allows you to take control of exactly how you will focus your photo. I hope that I made that as clear as possible.

Shallow Depth of Field Photo
Shallow Depth of Field Photo

Focus Stacked Photo
Focus Stacked Photo

Lost In The Mossy Forest

Lost in The Mossy Forest.

Here’s a photo that I made yesterday while guiding my friends Al and Kathy Baca, from Long Island New York, around the Mount Hood National Forest. We spent a day in the beautiful Columbia River Gorge and a day in the Mount Hood National Forest with a day of post processing between. It was a great time.

This photo was made while they were photographing bugs, flowers. lichen and moss with their macro lenses. I let them be for a few moments while I dove into the forest to get to this area. The roots captured my attention immediately. While I was there I felt as if I was in the realm of the forest sprites and gnomes.

This whole forest is in it’s Springtime best. All of the deciduous leaves are fresh green as well as the mosses. The forest is moist right now and emits a primordial essence and exudes an aura of primal simplicity. Life in its most primitive and its most beautiful.

I love the Pacific Northwest rain forests, especially in the Springtime. Consider a private Oregon photography exploration tour with Gary Randall Photography some day to explore some of the less visited places in this incredible state. I think that you’ll be glad that you did.

You can purchase prints of this photo at this link. https://gary-randall.com/product/deep-in-the-forest/ 

A Winter Afternoon in The Mt Hood National Forest

A Winter Afternoon In The Mt Hood National Forest

A Winter Afternoon in The Mt Hood National Forest – Gary and Darlene spend some time photographing the forest.

I found some time to practice with my Mavic Pro… and I didn’t crash. 😀 Flying this drone and feeling comfortable doesn’t come hand and hand to me. I find flying this machine very stressful but I hope that that feeling goes away the more that I fly.

Now that I’ve broken the ice with this video look forward to more videos from me. Please consider subscribing to my YouTube channel in the meantime. I’d sure appreciate it.

Central Oregon Cascade Peak Identification

Oregon Cascade Peak Identification

Central Oregon Cascade Peak Identification – I had an opportunity to drive to the top of Powell Butte in Central Oregon just to see the view. From this point of view you can see south of Bend all the way to Mount Hood. You’re also able to see Smith Rock. While I was up there I decided to do this short video identifying the various peaks from south to north.

Pathway To The Stars – The Milky Way Over Mount Hood

The Milky way Over Mount Hood Oregon

Pathway To The Stars. The Milky Way Over Mount Hood Oregon – I had a great time hanging around in the dark with my brudda Rob last night. We shot the night sky over Mount Hood from the north side while talking about the Milky Way over Mauna Loa – The night was as warm as a Big Island night – and other places where we’ve stood and observed the stars.

There are very few things that surpass the brilliance of the stars on a dark Summer night. Since I was a small boy I have slept outside whenever possible, even if only in my backyard. I’m fortunate to have lived in some places that have extremely dark night skies.

I remember great times while I was in school in the Illinois Valley of Southern Oregon when neighbor friends, my brother and I would just lay blankets out in the pasture, set up our sleeping bags and count falling stars and satellites until we fell asleep only to wake up again at sunrise covered in dew.

I was reading the other day that 80% of the people in the United States are unable to see the Milky Way at night. That’s a sad figure. I sincerely feel that when we remove ourselves from the natural world we suffer. Taking away the stars in the sky that have caused so many people to dream fantastic dreams and thoughts of wonderment and hope is the last brick in the wall of separation of humanity from Nature. Stand in a city some night and search for anything natural. Even the sky is cloaked in a bath of unnatural light. How can we understand what Nature requires from us if we don’t understand her?

Please do yourself and Nature a favor and reconnect your soul to the Earth and all of its natural fantastic wonders. Drive somewhere dark some night and look up. Bring a blanket and a sleeping bag. You may be there for a while.