fbpx

Factory Butte Utah

Situated between Capitol Reef to the west, the Henry Mountains to the south, the San Rafael Swell to the north and the San Rafael desert to the east. This butte is a popular spot for both Photographers and OHV (off highway vehicles). This situation has created a conflict of sorts as the landscape has tracks through it. This causes a challenge in the hope of getting a pristine photo of this location.

The most common method of photographing this beaut of a butte is from the air via a drone. From the air the tire tracks are plain to see. It takes some time to repair the photo by cloning out the tracks.

This is a scene that I have been wanting to photograph for a while now but with this being a pretty common location for landscape photographers, it’s a little difficult to create something unique.

I had the opportunity to go there last week to photograph this area, including Factory Butte. Because I only had a couple of days there I didn’t have the epic skies that I had hoped above this landscape.

I brought this photo up and decided to try to process it into something, anything to justify the time that I spent there – and the time spent repairing it. I took a lot of time working on the foreground but when I was done that plain, blank sky stared at me. I almost hit delete.

Now I have always said that the reason people will drop in a sky is because their time is limited and the time spent at a location didn’t produce the results that were hoped for. This was the exact situation that I was in with this image. As I sat there carefully brushing out tire tracks that blank sky taunted at me.

Once I was done with the foreground repair I saved the file and then decided to play with some different skies and boom. I saw this.

I have always said that if a photo is a composite I’m just fine with it as long as the artist is honest and transparent about it being so. I’m not one to criticize a person’s creative expression. All I ask for is honesty.

And so in my attempt at transparency, I explain the process that I went through to create this image for you. This is a composite of two images combined to create the image that I had hoped to create naturally.

I hope that you enjoy it for what it is.

My New Cell Phone

I have a new camera. It’s become my favorite camera. If not my favorite it is certainly the one that I’ve been using the most. It even makes phone calls.

If you haven’t figured it out already, I have reached the annual and inevitable point of obsolescence of my cell phone. I fight the thought of this being a ploy to sell me a new phone every four years, but if I’m being honest, it’s something that I always look forward to. It’s not because the manufacturers have improved reception or call quality on the phone. Both aspects seem to be no different than they were four years prior when I upgraded to my previous phone. What I always look forward to is how the latest camera upgrades perform. This go around I picked up a new Samsung Galaxy S21 Ultra and I love it.

I’ve owned a cell phone for practically their whole existence. I then used a Motorola brick at work in the early 1990’s and then progressed through the flip phone era to the modern-day smartphones. I remember when the first camera came out as a feature in the better flip phones. It was a dreadful little camera that took very small, out of focus and grainy photos. It was completely impractical. It was more of a novelty than a practical camera. At that time point and shoot cameras were popular for taking snapshots. Today very few people have or need for a point and shoot camera as our phones have easily replaced them.

My first cell phone camera created an image that was a 484 pixel x 364 pixel 14 KB file which yielded a 1 ¼” x 1 ⅝ ” photo. My newest cell phone has a 9000 x 12000 pixel 14 MB image that will print a 30” x 40” photo. The device features a 108MP uncropped primary camera, a 12MP ultra-wide-angle camera, two 10MP telephoto cameras (3X and 10X optical zoom), and a 40MP selfie camera. This means that when you zoom in the image will be made using a lens to magnify the scene and not enlarged digitally which tends to break the image apart. This particular cell phone that I’m using has three separate lenses to pull this off.

Another feature that cell phones have these days is the ability to use what’s called Pro Mode. Pro Mode will allow you to switch the phone camera to manual which gives you the ability to adjust the settings – Primarily shutter speed, and ISO, and to save the file in a Raw format. When set on Automatic the camera will take the photo and process it according to presets that are programmed into your camera. When it’s set to Manual you can create and process your photo in the method that gives you the look that you want. There are programs/applications that you can use on your camera to process and save the photo.

 You might ask why you would need a camera if a cell phone can take such incredible photos? The answer is that it’s about sensor size and not about megapixels. The pixel size on the cell phone is .8 micrometers while the pixel size on my professional camera is 4.35 micrometers. Why is this important? It’s important in dim lighting. Larger pixels gather more light. A cell phone will do fine for photos in optimal light but once the lighting becomes a challenge the camera will be challenged. As a matter of fact when the cell phone camera is in night or low light mode it will use what’s called binning to merge nine pixels into one, effectively making it a 12 MP sensor. And furthermore, a larger sensor will be able to gather more information which will make a sharper and clearer image. The simple answer is that it’s not realistic to expect a sensor the size of 8mm to perform as well as a camera with one  that’s 35mm in size.

I haven’t mentioned the video capability of the cell phone. It could be a whole separate article. It boasts the ability to record 8K video. It can record 3840x x2160 at 30p but can also record 1920 x 1080 at up to 120p which can give you the ability to record super slow motion.

I’m finally excited about the camera on my cell phone. I have been having fun with it. In the past I would try but the image quality when I was through was discouraging. I relegated the cell phone to snap shots of friends and family and snaps of times that I wanted reminders of. Because the photos and the video from this camera are so good, I’m more willing to try to be creative with it. Will it replace my professional camera? Not at all but it will allow me to get rid of all of the point and shoot cameras as well as all of the various video cameras that I have accumulated over the last few years. Cell phone cameras are starting to stand on their own as a viable option for quality imagery. 

Adventuring in Alaska August 2021

Alaska is a special place for my wife Darlene and I. We return as often as possible. We recently had the opportunity to return to spend five days with a small group of photographers to show them the beauty of the state. 

We visited the Kenai Peninsula in our search for wildlife, especially bears, where we spent time at the Kenai and the Russian Rivers. We saw huge red-sided Coho salmon making their way upriver to spawn. We also photographed loons at Skilak Lake. We were disappointed that we saw no bears but it was a day full of adventure and breathtaking scenery nonetheless. The Chugach Mountains, Kenai Mountains and the scenic Turnagain Arm dominated the scenery that we enjoyed as we travelled the Seward Highway. 

On our second day we took an excursion boat out of the coastal town of Seward. We cruised through Resurrection Bay into the ocean. It was drizzling with some fog but it didn’t keep us from standing out in the clean ocean air photographing dreamscape like images of the rugged, forested Alaska shoreline and the Kenai Fjords towering rock Chiswell Islands. We saw wildlife including sea lions and a myriad of sea birds, puffins and bald eagles. We even had a humpback whale surface right next to our boat, raising its tail above the water. We then travelled to the face of the Aialik Glacier to watch the calving of the ice into the sea, while harbor seals floated on the dislodged chunks of ancient ice in an attempt to avoid being eaten by Orca whales.

On day three we travelled north into the massive Talkeetna Mountains with their jagged peaks and glacial scoured valleys, green with tundra and decorated by scattered late season wildflowers. We explored Hatcher Pass and the dilapidated Independence mine. As we travelled through Hatcher Pass we photographed sweeping vistas and aqua blue-green glacier fed rivers. 

We eventually met the Parks Highway and turned north to our second lodge located in Talkeetna, an eclectic little tourist town south of our ultimate destination, Denali National Park and Preserve. As we drove we passed through Broad Pass with forests stunted from the harsh winter conditions that they must endure to survive. The incredible scenery was dotted with beaver ponds that mirrored the foothills of the Alaska Range on their still surfaces.

On our last day we arrived at Denali National Park and Preserve early to another wet, drizzly day. We boarded the park bus and started our journey through the park, enjoying some of the most majestic scenery in the world in spite of the clouds and fog that came and went through the day. We saw, and photographed, ptarmigan, caribou and grizzly bears in the distance along the way. We eventually made it to the Eielson Visitor Center deep in the park where we watched two grizzlys grazing on the tundra in the fog on a high ridge above us. When we left the visitor center the bears had made their way down the ridge to a hillside very near the road. Our bus stopped and we photographed them until they crossed over the hillside and out of our view. We were able to take some incredible Denali grizzly bear photos. 

After an uneventful but scenic ride back to the park entrance we left the bus and then went to have a warm meal. As we ate we talked about the two things that the group wanted to photograph but wasn’t able to, a moose and the massive Denali, the third most prominent mountain peak in the world. 

We finished dinner and made our way south on the Parks Highway toward our lodge in Talkeetna. We had gone approximately 10 miles when we came across a bull moose near the side of the highway munching on the vegetation. We pulled over and carefully positioned ourselves to get the moose photos that the group had hoped for. We didn’t mind that it was along the side of the road. 

The weather had been mostly clouds, drizzle and some rain throughout the week. Not enough rain to spoil our fun but enough to obscure the view of “The High One” Denali. We all went to bed on the last night of the workshop feeling satisfied for the amazing week, but a bit disappointed in not being able to see the mountain, our last piece of the puzzle. 

The next morning was one of reflection on the week that we had just spent. Tired but satisfied, we packed our luggage in the van and proceeded to leave our lodge and make our way back to Anchorage. We left under a clear blue sky that morning. We drove up the road to a viewpoint with a clear view toward the Alaska Range, the home of the elusive Denali. We stood in front of a majestic crystal clear view of a pure white snow covered Alaska Range and standing head and shoulders over its neighboring peaks we finally saw Denali. 

Our Alaska adventure was complete. My friends could hardly believe the week that we had. They left for home on their flights filled with memories that will last a lifetime and camera memory cards full of reminders. 

Leave It Better

The Painted Hills in Oregon

I remember a quote that I had read when I was a boy that has stayed with me my whole life. Robert Baden-Powell is quoted as saying, “Try and leave this world a little better than you found it…”  He was referring to being a good human, but in this day and age of increased recreational use of the outdoors, it is being used more as a way to increase the awareness of the proper care and use of our public lands. “Leave it better than you found it” is the new “Leave No Trace”. Those of us who care must do more than leave no trace. We need to try to offset the effects of those who won’t.

When the coronavirus came it changed almost every aspect of our lives. People started working from home. The travel restrictions cancelled a lot of people’s vacation plans. Cruise ship and air travel became impractical, as did hotel and resort stays. Even movie theaters and public places such as restaurants saw a dramatic decrease in business or were closed completely. With these restrictions came a new form of vacation trend, visiting the open outdoors. Everyone, including many who had never spent time in Nature, headed out to hike and camp seeking something other than sitting inside until the coast is clear.

Hiking and camping have seen a huge surge. Lawrence Lujan, the United States Forest Service (USFS) public affairs specialist is quoted as saying, “The visitation that we typically saw on the weekend, we were seeing during the week. And the visitation that we typically saw during a holiday weekend, like the Fourth of July, we were seeing on weekends.” What once was a weekend activity became one that was being done any day of the week.

The inevitable problems that come with the increased use of recreational lands are mostly wear and tear, but there are those who aren’t familiar with how to care for the outdoors, or just don’t care, that create other problems. Off trail hiking in sensitive terrain, off road driving or parking in restricted areas, trampling vegetation, illegal or abandoned campfires, vandalism and leaving trash behind have all increased.

The increase of visitation to the outdoors isn’t all bad news. With more people coming out to these beautiful natural places comes the appreciation of these places by more people. Typically, when someone visits a special place, one that they connect with and fall in love with, they are more apt to put forth an effort to preserve it. Volunteerism has increased with the increase in visitation but it’s not enough to offset the effects of the public loving these places to death. Everyone needs to accept the responsibility to help care for the land that we use as we use it.

So how can we leave these places better? Many times it’s just a matter of carrying a trash bag in your pack to gather trash and litter others leave behind. Volunteering with organizations that help to develop and maintain these places is becoming essential, and popular. If you’re unable to volunteer, donating to these organizations helps them greatly – I support groups such as Trailkeepers of Oregon. We need to teach our children by setting an example for them to follow. Also raising the awareness of those that you associate with to adopt the Leave it better principle of outdoor use.

Ultimately, it’s our responsibility to care for these special places. It’s up to us to assume that responsibility and apply it to how we use our shared public lands.

The 7 Leave No Trace Principles

  • 1.       Plan ahead and prepare
  • 2.       Travel and camp on durable surfaces
  • 3.       Dispose of waste properly
  • 4.       Leave what you find
  • 5.       Minimize campfire impacts
  • 6.       Respect wildlife
  • 7.       Be considerate of other visitors. 

6 Things a Photographer Can Do While Social Distancing

Paul Processing

As I write this the whole world is dealing with and addressing a worldwide pandemic called Coronavirus – COVID-19. This is a serious situation that we all have the ability to affect. Social distancing and self isolating has become a part of our lives. Those who are able to work from home are doing just that.

As photographers we can take this time to catch up with certain chores that are usually left for more opportune times. If you find yourself with some time on your hands during this odd time I have a few suggestions for you to consider that will help you in the long run. Let’s just call them chores – Necessary chores that are easily put off for later. These really don’t have to be unenjoyable, especially if there’s really no rush.

So here you go. 6 Things a Photographer Can Do While Social Distancing.

Clean your camera and sensor – Dust bunnies sound cute and cuddly, but they’re certainly no friend to the photographer. Most modern cameras have a self cleaning feature that one can use for most common dust specks, but in time there will eventually accumulate more stubborn particles that will need to be dealt with with a direct cleaning of the surface of the sensor.

Sensor cleaning sounds scary. We’ve all been warned how we could ruin our sensor if we do it wrong, or have heard horror stories about how a friend ruined their camera for good trying to clean their sensor. And, in fact, the earlier methods of sensor cleaning could cause scratches if an abrasive dust particle was dragged across the surface of the sensor. I was scared for years to even try it until one day I decided to take an older camera that I had replaced with an upgraded body and attempt to clean the sensor. This sensor was terrible.

I had done some research into the different methods and kits available for one to clean their own sensor. I decided upon one that had a sticky pad that you would dab onto the surface of the sensor. It worked great and at this time it’s the type of sensor cleaner that I would recommend.

But if you still are unable to build up the nerve to try this yourself you can still take some time to clean your camera body and lenses. Once this situation is resolved and we’re all able to mix and mingle again, take your camera body to a camera shop and let them handle the sensor. It doesn’t usually cost a lot.

Clean your lenses. Purchase some good lens cleaner spray and some soft cloths and take some time to carefully clean the front and back elements (glass part) of your lenses. While you’re at it pull out your filters and do the same to them.

Clean and adjust your tripod. We don’t think alot about our tripod until it breaks or quits working. And when it does it’s usually because we have neglected it. We’ve allowed the parts and pieces to corrode or to become out of adjustment.

Most all tripods have some sort of metal parts, be it a screw or the whole thing. Even carbon fiber tripods can have places where corrosive or abrasive material can hide. Saltwater and sand is the worst and it’s recommended that you clean your tripod completely as soon as possible after getting it wet with saltwater. Aluminum can corrode quickly and make disassembly difficult. Rinse your tripod with fresh water right away and disassemble and clean it as soon as you can.

Disassembling your tripod can be a bit intimidating at first but once you do it once you’ll remember the next time. Especially if you do it with a certain amount of frequency. If you’re unsure of your ability to reassemble it, take photos as you disassemble it so that you have some reference when you put it back together again. You can do one leg at a time so that you have the others to reference.

Once it’s apart wash and dry the pieces in fresh soapy water and then rinse and dry completely. Never use oil or WD-40 on your tripod as it will attract and adhere dirt particles which will hinder operation and wear the tripod out prematurely.

Calibrate your monitor. I’ve heard so many people complain that their photos, when viewed on a different computer or their phone, don’t look the same as they did when they processed it on their computer. Sometimes the photo is darker or brighter than it looked or that the colors aren’t right. There are times when someone is printing their photo and it comes back from the printer looking completely wrong.

Computer monitors need to be calibrated every so often. It’s not a difficult chore to do but you will need to invest in a monitor calibration device. It’s a good investment and once you buy one you will own it and use it forever. I use a Spyder 5 Pro but most all are good.

Organize and backup files. It’s easy to come in from a trip out in the field and download all of your photos and then forget about them until you have time to process one or two. They can all add up and then left unattended, including backing them up. Redundancy isn’t just a fun word to say, it’s something that’s important o a photographer when it comes to keeping their work secure for the future. Hard drives and memory cards fail. Accidents happen.

If you’re anything like me you will have ten times more unprocessed files than you will keepers. Create some hard drive space. Thin them out and backup the keepers. In addition to any hard drive backups consider uploading the master files for any photos that you process and finish to some cloud space. Most of us have some free space available to us from our cell phone providers, for instance. Secure some cloud space and create a folder in a file that contains the raw file, the finished processed file in a high resolution/non-lossy format such as PSD or TIFF and even your formatted jpegs for sharing on social media etc. If you do that you won’t need to worry about hours of uploading all of your files, good or bad, and you will have a secure copy of your finished photos, the most important ones.

Clean cards/charge batteries. Don’t wait until the night before a shoot to clean your cards and check your battery charge. If you have multiple batteries consider getting some small round sticky tags to stick onto the batteries that are charged so that you don’t have to put the battery in the camera to check the charge. Take it off of the charger, tag it on the end. Once you use the battery take the sticker off of the end of the battery and stick it on the side so you know that it’s been used and needs to be charged once you get back home.

Learn something new. What a great time to sit down in front of YouTube and pull up a few processing videos. YouTube can be a good place to learn something new or to completely run in the other direction, but you have the power to know if someone there aligns with your vision or not. Whether they have value in their video that you can use to make your photos better.

We have finally come to a place in photography where people understand that digital photos can be shot in a format that allows the photographer to decide how the finished photos will look. They are understanding that many of the processes are similar to what was done back in film days in the darkroom by artistic photographers like Ansel Adams. Talented photographers are usually also expected to be talented in how they process their photos in Lightroom, Photoshop or both. Find some videos that will push your understanding of Lightroom or Photoshop, or both.

Also, in this day and age, there are so many other options for photographers than Lightroom or Photoshop. Give one of them a try, you may like it better. Process some of your photos using the help of a tutorial video using software such as one of my favorite alternatives to Adobe, On1. Give some new software a try. You might like it. You can usually download and install a program for free for 30 days to try it out.

These are all ideas for things to do, but in reality they’re all things that we are doing or should be doing anyway. Zombie apocalypse or not. This is just as short list of six things. I’m sure that you’ll discover more things that you’ve not had time to do because you had too much time away from your desk. I didn’t mention cleaning out Clif Bar wrappers from your backpack. Now’s the time. Make social distancing work in your favor. Then once it’s over you’ll be raring to go. Your camera and sensor will be clean, your tripod will be smooth and functioning properly, your monitor will be calibrated, your files will be organized and backed up, your cards will be clean and your batteries will be charged. And furthermore you’ll be smarter than you were before because you’ve taken the time to learn something new in your down time.

Now. Tell me how bored you are.

Intimate Landscape Scenes

Intimate Landscapes

Landscape photography has a reputation for requiring travel to epic corners of the earth to bring back photos of places that are rarely seen by most people. Or places that we’ve seen in a National Geographic magazine or a TV documentary. But from my point of view landscape photography as an art should include the photographer’s personal creative touch. It should be separate from documentary photography or marketing photos that are seen in magazines. It shouldn’t always need to depend on a location to send a message. I think that a beautiful artistic landscape photo can be taken along most any roadway if we learn how to read the details of the landscape. 

A photographer can consider that landscape photography could be reduced to two basic types, grand landscapes and intimate landscapes. A grand landscape typically is a territorial view, or one where there’s a view off into the distance that includes a lot within its frame, whereas an intimate landscape is typically one that’s a smaller part of a larger scene. A grand landscape is more apt to include a recognizable location and is more likely to be location dependent and in a lot of cases weather dependent, such as if it’s raining and the clouds are obscuring the view. In many cases the composition of such a grand landscape is fairly basic and simple to find. I feel that a landscape photographer really spreads their wings when they embrace intimate landscapes. The photographer isn’t necessarily looking at an obvious photo. Many times it requires imagination and a little time analyzing the scene to be able to look past the obvious to recognize what is typically overlooked. Be creative in choosing your subjects and be creative in how you compose and photograph them. 

Intimate landscapes typically include a small part of or a detail within a grander scene such as a small segment of a creek instead of the whole forest or maybe a section of the scene that is affected by some atmospheric conditions, think fog and sunlight as it filters through the forest, or maybe sunlight illuminating a curtain of moss that is draped across the limbs of the trees. I also look for designs and patterns within the scene, such as patterns or colors on rocks. An intimate landscape can include a part of the scene that, when extracted from the larger view and seen separate from the context of the larger scene, stands alone and on its own merits. Put the wide-angle lens away and use your zoom lens. Get closer to the scene.

It’s said, in painting as well as photography, that it’s not what’s included within the frame but what’s excluded that strengthens a composition. And this is very true in simplifying complex or, at first glance, generally unappealing scenery. Analyzing a scene and trying to find an interesting composition for a photo allows us to look deeper into the scene and to recognize what more that it has to offer. The first glance at a scene is like looking at a book’s cover. Looking further into a scene is like reading the book.

I tell my students that as artists we shouldn’t take the scenery at its first impression. In most cases we will take all it has to offer all at once. Instead take some time to stop and analyze the components of the scene and separate these smaller scenes and abstracts. Be creative and I’m confident that you will be able to stop along most any side road and find a photograph within sight of your car. No longer will a destination be a requirement to make a beautiful photo. You will be able to make a beautiful photo in between your forays to far off lands. Mastering composition of intimate scenes will also help to strengthen the compositions of your grand landscapes. 

Repairing Severe Water Spots In a Waterfall in Photoshop

Repairing Water Spots

I was perusing my archives the other day and came across this gem. It’s one that I took at Elowah Falls in the Columbia River Gorge in Oregon. I remember that it was a rainy day and I was having a hard time keeping the rain spots from my lens.

I’m sure that I decided not to process this shot because I didn’t have the tooks or the skill to remove them in a way that wouldn’t show. I looked at this photo and decided to try a more creative approach to repairing the damage the the raindrops had caused. I looked hard at the other areas inthe photo and was unable to find any more raindrops in the image. I think that I lucked out.

I decided that I would process the shot and the first thing that I did was to address the waterfall by creating a copy of the photo and applying a motion blur to iut and them ,asking that area into the photo again. It worked quite well.

This video will also help those who have wondered how layering and masking works.

Go check out the video and let me know if this was any help to you. Repairing Severe Water Spots In a Waterfall in Photoshop.

Why Do We Need Tripods?

Why do We Need Tripods

There’s no other piece of equipment that a photographer possesses that elevates the perception of skill and professionalism than a tripod. Walk down a pathway or a trail with just a camera and you’ll blend in, but put it on a tripod and walk down the trail and you’ll be noticed and recognized as someone who must obviously be taking more than snapshots.

A tripod is usually the first accessory that photographers will acquire after they buy their first fancy camera, but I have found that it’s also the most misunderstood. A tripod doesn’t elevate a photographer’s skill or professional ability. Sometimes it’s the photographer without a tripod that knows when and how to use one, but understanding your tripod (as with any other tool that you use) will certainly allow you to elevate the quality of certain photos.

The purpose of a tripod can be to steady the camera to prevent it from shaking during extended shutter speeds that are longer than is practical by hand, such as for smooth water photographs of creeks and waterfalls. It can also be used to simply allow for a brighter exposure or to give the photographer a platform to rest their camera on while they compose their photos. You can maintain the same position while you wait for conditions to change for instance. The most practical purpose is that it’s used when the shutter speed isn’t fast enough to hold the camera by hand for the photo that you are trying to make. 

The times where your tripod is indispensable is when light is dim and the shutter speed needs to be extended, but the average photographer isn’t taking photos during this time. Daytime lighting can typically allow photographers to have a shutter speed that’s fast enough to eliminate motion blur for a clear and focused photo while handheld. Making sure that you have a shutter speed that’s quick enough is usually nothing more than choosing the proper ISO or aperture setting, as both can allow increased exposure without extending the shutter speed.

Taking photos without a tripod can be liberating, especially while hiking. A tripod can be cumbersome, heavy and usually unnecessary. Using a tripod can also limit creativity in composing a shot. You must fiddle around with the tripod to get it positioned properly to get the photo, when if you didn’t have it you can simply come up to the scene, focus and frame the shot and snap it. A photographer is typically more apt to wander around and find different compositions if not tethered to a planted tripod.

A tripod comes in handiest to landscape photographers as they tend to take their time composing, focusing, adjusting and reshooting the scene. In that case it’s handy to set up on the tripod and take the time to make sure that everything is perfect. It’s also used to maintain a composition while conditions change. It’s most indispensable to a landscape photographer than most other genres of photography. In the case where there’s a lot of moving from one shot to the next, such as candid photos during an event, being able to react quickly prohibits the use of one.

Tripods can come in varied levels of quality, sizes and types and made, basically, from two kinds of material – aluminum or carbon fiber. Weight is a very important consideration, especially while travelling, hiking or in cases where the tripod is carried throughout the day, but weight saving should never compromise stability. Make sure that it’s sturdy enough for the camera that you use and the conditions that you plan to use it in. Remember that we use tripods to steady our cameras, so having a steady tripod is a must.

When choosing a tripod, I’ve found that paying a bit more for one that is of a higher quality, like most things in life, will pay dividends in time. When I first started in photography I used cheap tripods, but after having a few break, typically with no way to repair them, usually at the most inopportune times, or being frustrated by unstable versions that would move in the slightest breeze, I decided to save my money and buy a sturdy carbon fiber tripod that will last a lifetime. If I had done so in the beginning it would have eventually paid for itself.

No tripod is complete without an accessory that attaches the camera called a head. The more inexpensive versions may have a head that is attached permanently, but most tripods will need a separate head. There are typically two types that are most commonly used – pan-tilt or ball head. My experience is that a ball head is the most versatile, reliable and most simple to use. A ball head has a spherical joint that can be easily positioned in many ways and then locked down with a single knob. A pan-tilt head has two levers that are used to adjust the tilt, elevation and direction separately. As with the tripod legs, buying a sturdy head will save you a lot of frustration and will last longer.

Carbon fiber or aluminum? Carbon fiber is always preferred, but carbon fiber tripods are usually more expensive.. Carbon fiber is lighter and will not oxidize or rust. There have been many times where I’ve been in creeks or lakes or even worse, in the surf at the ocean with my old aluminum tripods where I hadn’t gotten around to cleaning it before it started to seize up due to the corrosive nature of saltwater. Saltwater is terrible for aluminum. Carbon fiber and plastic parts will not corrode and will give you more time to get around to rinsing or cleaning your tripod. Keeping your tripod clean is an absolute must, so learn how to disassemble it and reassemble it.

I hope that this helps to better understand your tripod and how and why it’s used. My advice is to learn your camera and the basic principles of photography to allow you to know when a tripod is needed and when it’s not. As with any tool, using your tripod properly will enhance not only your photography but your experience of creating photos.

Processing…
Success! You're on the list.

Working Through Creative Slumps

Nature Photographers Network

My latest blog post at my favorite Photography website, Nature Photographers Network.

In a creative slump? Perhaps you’re experiencing some discouragement because it seems like everyone else is creating brilliance, but your own worst critic, yourself, is telling you that your work is junk. Maybe you feel that you’re just not progressing as fast in your skill as you think you should. I’m here to tell you that it’s natural. We all get into a slump now and then. We have our good days and bad days. Sometimes we feel inspired and encouraged while on other days we feel uninspired and ready to take up another hobby like cultivating moss.

Click the link below to read more…

https://naturephotographers.network/articles/working-through-creative-slumps/