Gateway to Cold Spring Creek
Opal Creek Ancient Forest Photography Workshop 2016, the third year for this amazing experience. We had the largest group yet and we all had a great time.
The weather was sunny for the first day for the hike in to Jawbone Flats and to our cabin. We spent the rest of the day exploring places around the historic mining town to photograph. We all got to know each other before we called it a night early enough to make it breakfast when the bell rang at 8am.
The second morning was beautiful. It had clouded up giving us some nice even light for our hike down the Little North Fork of the Santiam River, a three mile walk through some amazing old growth forest. We stopped for a picnic on the side of amazing bedrock pools. The further that we walked the more wet it got, but it didn’t get intolerable until just before we got back to the cabin. The rest of the day was spent looking at and processing our photos from the hike and talking shop.
The third day was anther day of scattered showers for the hike back. We photographed our way back to our vehicles and bid adieu to each other as new friends.
The experience was indeed one that is more to be described as an adventure. Staying in a cabin together, eating in a community hall family style with the rest of the staff and visitors of Jawbone Flats. In only a matter of a couple of days we start to feel like a part of this unique community.
If you’re interested in a truly unique photography workshop experience please consider joining us next season.
Here are a few photos of the field trip.
Well it’s shaping up to be a great year for wildflowers on Mount Hood. The flowers are about gone at the lowest elevations but they’re moving their way up the side of the mountain. We had a great year for snow and a wet and cool Summer so far, generally speaking. The flowers seem to be taking advantage of the conditions.
I started this year in the Columbia River Gorge photographing Rowena Crest and Dalles Mountain Ranch on the Washington side of the river. I photographed balsamroot and lupine there. In time the dogwood and rhododendrons in the forests became my game and my primary pursuit, as well as the bear grass. This year’s bear grass bloom was a fraction of last year’s amazing bloom. It was incredible last season but a bit disappointing this year and understandably so considering it’s irregular bloom cycle. Now that the rhododendrons are about finished my next wildflower pursuit are macros of the little flowers that tend to be a bit more singular in their dispersion. These are the ones that I enjoy photographing close up. At this time the lower meadows are blooming and in time the upper alpine meadows will be covered with flowers as well.
Here are a few photos that I have made so far this season. Most are close up shots, I love macro photography, but I plan on getting up to those upper meadows soon for some nice photos of Mount Hood so I hope to have more landscapes with nice flowers in the foreground. We’ll see how that goes.
I have plans for a wildflower workshop next Summer. I hope to be able to use it as a venue to show my macro photography techniques. Stay tuned for news about that when I post next year’s schedule. Look for it soon.
Thank you for all of your support everyone.
Spring has come and gone and now we look forward to Summer here on Mount Hood. Summer on Mount Hood is our best time for wildflowers. Most of the flowers at the lower elevations have come and are starting to go, but our elevation and snow cover delay’s the bloom and gives us amazing flower filled alpine meadows and forests full of native rhododendrons and dogwood trees.
Many landscape photographers wait in anticipation of the Spring Bloom. And because of this a they develop an interest in understanding the cycles of nature including weather patterns and celestial occurrences such as sunrise and sunset times and moon phases. The more one understands nature, the better that they are able to interpret it through their photos.
In the early Spring the flowers at lower, warmer elevations such as the east end of the Columbia River Gorge bloom. Beautiful purple grass Widows are usually the harbinger of Spring in the hills around Hood River and The Dalles, on both sides of the river, and can be seen poking up through coatings of fresh snow some years. Amazing views of the gorge with lupine and balsamroot in the foreground can be had in April and May. The lupine and balsamroot are the larger more visible flowers and will, on a typical year, bloom along side of each other, complimenting each other perfectly, yellow balsamroot and purple lupine.
As the season progresses the flowers move up into the hills and in time to the high altitude alpine meadows of our snow capped peaks. The flowers can cover fields or they can be scattered along roadways. They can even be in your yards. The more that you look for them, the more you notice.
Photographing flowers can be a way to create some beautiful photographs. It can also be a great way to spend some time outdoors. The combination of the two can create a peaceful and centering situation. I can get lost in my own little world as I wander with my wide angle lens among the fields that cover hills or meadows or on my knees with a macro lens in my yard getting close up photos of flowers, mushrooms and bugs.
When I’m out to photograph the grand landscape I try my best to be there either in the morning during a sunrise and into the golden hour or conversely in the evening when the light is nice, but don’t discount a beautiful blue sky especially one with some nice clouds to break up the space. I mention that as an ideal, but the reality is that we live in Oregon and a nice drizzly day can yield beautiful photos as well. On an overcast or cloudy day the light is even and the raindrops on the flowers are beautiful. No raindrops? Use a squirt bottle filled with water to must the flowers.
Let’s talk about the two previously mentioned forms of flower photography, wide angle and macro, or closeup photos. Both forms can be done with any camera.
Let’s first take a look at our cell phones as an option. Taking a nice photo of a field of flowers is pretty simple and the basic tenets of composition apply no matter what kind of camera that you use. While framing your photo tilt the camera up toward the sky or down toward your foreground to make sure that the sky isn’t too bright or the foreground too dark. Turn on your HDR (high dynamic range) setting and turn off your flash unless it’s getting dark and you want to try to illuminate your foreground. Another use for a flash is to shed light on a person especially when you are pointing toward the sunlight. To take a macro photo with your cell phone you can get a clip on macro lens that doesn’t cost much. The lenses usually come in a set. The other lenses in the set I can live without, but the macro lens works reasonably well.
Using a bridge camera, or an all in one non interchangeable lens camera, is handy. The zoom range can go from 24mm to 400mm and some have a fixed aperture of f/2.8 no matter the zoom range. So you can use the zoom in to get close to your subject or zoom out to get the wide view.
A digital SLR (single lens reflex) or even a film SLR, yes you can still use film, can give more options for photographing flowers but the basics, as mentioned previously, still apply. The biggest difference is lens options especially for macro photos. On a SLR you can get a close up photo two ways. One is to put on an extension tube to extend the focal length of one of your prime lenses such as a 50mm, or you can use a longer focal length zoom lens. With an extension tube set up you will be closer to the flower than you could normally get, but it will allow you to fill the frame with the photo and still maintain focus. It’s not so good when you’re photographing bees. The second way is to use a longer focal length zoom lens and zoom in, a much safer way to photograph bees.
Buy a field guide to flowers. It’s fun to identify them. Be a Leave No Trace photographer. While in the field be respectful of the plants around you and try your best to not crush them under your feet. It’s easy to look out away from you while getting the shot and not see the flowers below you.
As always, the technical details mean less than the action of actually getting outdoors with your camera. I may discuss a few minor details about the process but I always stress that it’s less about the process and more about the real reason.
Alvord Desert Sunset – I had a great time shooting these amazing mud tiles at the Alvord Desert with my friends Jason Brownlee and Matthew Grimes.
I had an excellent time visiting with about 40 of the Pacific Northwest’s best photographers this last weekend. It was an honor to have been invited to your get together folks!! I’m sorry that I left a bit early. I couldn’t fathom enduring the heat any longer without some sort of acceptable shelter… like a travel trailer. I think I need one of them. 😀 Does that make me old? Sleeping in the back of the PPV seems to be getting harder and harder lately. lol
If I could have handled the heat better the photo ops at the Alvord would have been incredible. There was a reflection in the last of the standing water lake on the playa. There were amazing cracked mud tiles. The stars are completely unencumbered by light pollution. They are some of the most amazing star filled skies in the state. The nearest town with a light bulb is 200 miles away. We’re talking remote. And completely awesome.
After this trip I am more motivated to save up for a 500mm lens to take wildlife photos, especially birds. The incredible variety of birds that I saw non the drive there blew me away. And I have lived among millions of birds while living at Midway Island. I got to see a pair of Sandhill Cranes. I think that I saw some great egrets but they could have been white herons. I saw blue herons too. I saw yellow headed blackbirds and red wing blackbirds. I saw kerlews and sandpipers and pipits. I saw pigeons and mourning doves. I saw vulchers and some hawks and crows of course. I also saw antelope and wild horses and various rabbits and rodents.
It really is one of my favorite places, but I like it when it’s not over 100 degrees fahrenheit. 😀
The Aurora over the East Fork of the Hood River on the east side of Mount Hood, Oregon.
Some people enjoy a nice Sunday drive. One that’s warm and sunny where you can just relax, roll the window down, put your elbow on the door sill, crank the music up and hit the open road, destination not required… worries be damned.
I enjoy that too, probably more than the average person, and thankfully so does Darlene, but we do it in the middle of the night a lot of the time. Last night was one of those nights. Darlene came and picked me up at 10:30 pm to go look at the night sky.
My Jeep has been at the Jeep Whisperer being attended to and so I have had no wheels for the last couple of weeks. Thankfully I get it back today, but in the meantime I have missed a few things that I would have liked to have been a part of, including the amazing aurora show the night before last. I think Darlene could sense my anguish and felt sympathy for me. 😀
It was a beautiful night. We were in communication with another night owl photographer, Erika Eve Plummer. who got some incredible aurora photos the night before. Darlene and I decided to get out from under the clouds that were over us here on the rainy side of Mount Hood and go east where we ended up standing in hurricane force gorge winds at Rowena Crest, near The Dalles.
We set up and took a few test shots and the aurora was faint at best, so we took off and headed back toward Mount Hood, not hoping for much as we headed back toward the clouds, but as we approached Mount Hood we stopped at a little spot that we like to go to pee in the woods, and decided to take a photo or two to see what kind of color aht we could see in the sky.
This this photo. The time stamp is 1:17am. The aurora was glowing again, although not near as strong as the night before, but it still set a nice mood for this simple photo.
We drove back home on deserted highways, after visiting beautiful places, with no people. I can’t understand why more people don’t take their Sunday drives at Midnight. 😀
#oregon #randallpics #aurora
Last month I shared a few thoughts to consider when choosing the right digital camera for your use. I mentioned how one can easily get by with just their cell phone camera, while others will consider much more when deciding on a camera and will decide on a Digital Single Lens Reflex or Mirrorless camera with interchangeable lenses.
This month I want to cover a few basic accessories that you will need sooner or later when taking photos with a DSLR camera.
First a couple basic lenses. I recommend a wide angle to mid range zoom such as an 18-55mm and a 55-200mm will also come in handy. Many times a camera kit will come with both lenses as a package. One can get spend a bit more and get an 18-200mm. Then you will have the most common range in a single lens.
A good backpack. Your backpack will be your first line of defense from damage to your gear. Make sure that you get one that’s well padded and has partitions for your body and lenses. I like to make sure that I have one that has an extra compartment for a lunch or a jacket.
A solid tripod.. A tripod is used as a steady platform to place your camera one while taking a photo, typically during a longer exposure. You usually don’t need to use a tripod if your shutter speed is fast enough to keep the shot from blurring due to motion. Examples of when you would want to use a tripod is if you’re taking a photo in dim light, or if you are taking a longer exposure of a waterfall for instance. Don’t scrimp on a tripod. You don’t need an expensive one, but don’t get a cheap wobbly one that will fail in the field or shake at the hint of a wind.
A couple of words about filters. The only filter that I can’t live without is a circular polarizer to reduce glare or to enhance the blue of the sky. Many people use a UV, or Ultraviolet filter, but because digital cameras have a filter on the sensor to do it, a UV filter is now used to protect the front element of the lens. A warning about using filters at night or with bright lights. You can get light refracting between the lens and the filter. City lights are a good example where you would want to remove your filter.
Good cards. Get good memory cards that have good read/write speeds. It helps the camera write the photos to the card quicker as well as downloading to your computer. A fast card will help a lot if you’re doing a burst of a continuous sequence of photos. A better care will be less apt to fail on you. There’s nothing worse that losing a whole memory card of irreplaceable photos.
Camera strap. A good camera strap will save your camera from hitting the deck. If you’re walking around with it, sling it around your neck. I buy neoprene straps with buckles that allow me to remove the strap from the camera while it’s on the tripod. It keeps the strap from getting caught on my arm and knocking the tripod over, plus if it’s windy it keeps the camera steadier without the strap flapping in the wind.
A remote shutter release. It’s very easy to get shake and slight motion blur in your photos by simply pushing the shutter button down while mountain on a tripod. A remote shutter release will keep this from happening. You can get them that connect via a wire or via remote. I use the wired type because I find them more reliable.
A good computer and storage. These days the digital cameras are making some amazingly fine and detailed photos, but that quality can come with a price. Processor speed, memory and storage will be taxed if you have an older computer. Make sure that you have plenty of room to store your photos on your machine, and consider backing them up to a separate external hard drive in case of computer failure. I recommend deleting any photo that you deem a failure to save hard drive space. Today’s cloud storage services provide a great place to backup your photos. Another practical solution is to sign up to sharing sites such as Flickr or even printing sites such as SmugMug to store your photos.
The bottom line concerning accessories. My approach to photography, and most things in life, are to keep it all simple. You don’t need a truck full of doo-dads, gizmos and what-nots to take a good photo. You best accessory to your photography is going to be your knowledge of your camera and how to use it on manual to have control of the light that makes your photos.
Wake me when we come to a curve in the road.
This is an Eastern Oregon dirt road near Jordan Valley, Rome and Leslie Gulch, just north of the Alvord Desert. Somewhere that has no name. A place that needs no name, but if I were to name it I would name it freedom.
I love that whole southeastern Oregon area. I wouldn’t mind at all living out there in a shack surrounded by sagebrush, invisible canyons and a sky as big as the whole wide world. In a place where everything is in the open and nothing is hidden by trees and mountains. A place where the coyotes sing all night long. A place where the wind runs free with the critters that dwell there.
I must admit that population density is a huge appeal for me. In the Owyhee country of southeastern Oregon it’s from 1/2 a person to 6 people per square mile, where in Multnomah County it’s from 81 – 203 people per square mile. :O Now don’t get me wrong. I love people, but I like people like I like beer, in metered amounts and in a relaxed situation. Too much of a good thing is just still too much. 😀
Eastern Oregon isn’t the only place that I get that feeling of freedom. Southern Utah is a place where I could hole up in a shack somewhere hard to find, and for the same reasons. Alaska is another place that I get the feeling of freedom in my soul. It’s the “Last Frontier”.
My soul is usually troubled when I’m in a city. My stress level increases to an uncomfortable level. It all feels so totally unnatural to me. I feel controlled, monitored and judged. The total opposite of a feeling of freedom.
I suppose cities have their place, but they aren’t my place. My place is where I can walk surrounded by natural beauty. A place where I have to stop breathing to hear the sounds that surround me. A place where I can close my eyes and feel surrounded by a peaceful presence. A place where the roads have no corners.
#oregon #easternoregon #randallpics
The Super Moon Eclipse of 2015 was an historic event which will not be seen again until the year 2033. I had to go see if I could get a photo for myself.
I decided to drive up Lolo Pass Road near Zigzag Oregon and boy was I surprised to see all the cars. I found a quiet place of my own and set up to shoot the moon.
Here are a few of the shots that I was able to pull off.
A guide to the natural landmarks of Oregon by Greg Vaughn
I’m often asked of locations around Oregon where my photos are taken. After reading through Greg Vaughn’s excellent book Photographing Oregon – A guide to the natural landmarks of Oregon I am glad to know that I have a single answer for them. “Buy the book”. And this is The Book when it comes to Oregon’s landscape photo opportunities.
Not only is Greg an excellent writer he’s also an wonderful photographer. his book is filled with easy to understand descriptions of how to get to “the beautiful locations found in coffee table books, posters, calendars, and travel magazines”.
“Photographing Oregon is a comprehensive guide to photographing the natural wonders throughout the state of Oregon. With more than 300 pages of information and over 240 color photographs, the book tells not just where to go, but also when to be there for the best conditions, and includes suggestions on how to capture the best photos in locations all over this beautiful state.” Each location has a description of the location, a photo that represents nicely the area as well as directions and estimated time of travel.
It’s my opinion that every landscape photographer should have a copy of this book in their backpacks. Even if you’re not a photographer and just enjoy exploring all that Oregon has to offer in the form of scenery, you should have this book.
Ask for Photographing Oregon at your favorite local bookseller either by title or ISBN # 978-0916189181. You can also order the book, in either print or Kindle version, from Amazon.com.